I went into this mode of reconstructing what happened to my mother. The cops asked, “Do you wanna come in?” It looked like a crime scene.
WHAT MAKES A SERIAL KILLER FBU TV
They heard it all night, but finally went into the room in the morning and saw the TV on top of my mother. They found her because the TV was really loud, apparently. Her TV fell out of the stand and on top of her, killing my mother. My mother was 87 and what happened was an accident. Another example is my mother accidentally died in an assisted-living home. But you’ve seen, earlier that day, a young child who was brutally murdered, so you may come across like you’re hardened. Say your child falls off a bicycle and hurts her arm, you get home and it is a big deal. You may even indicate that you have empathy toward him when you really don’t. And then, you’re conducting an interview with them as if there’s nothing wrong with the guy. You’re dealing with the victims of violent crimes, which is emotionally gut-wrenching, and you’re talking to the people that perpetrate the crimes, who really could care less about the victims. The Kemper part was not true Kemper never grabbed me. They show something similar on the last episode of Mindhunter, where Jonathan Groff is having an anxiety attack after being picked up by Ed Kemper. I think that’s why I nearly died in 1983, during the Green River murder case. You’ve talked to a lot of people who have done awful things, haven’t you? When you’re interviewing people like this in prison, they don’t trust anyone. Todd Kohlhepp, who is an unusual killer who basically just does revenge killings but had that one girl that he kept in that container in South Carolina. Donald Harvey, who kills hospital patients. Joseph Kondro, who kills his friends’ children. “How do you prepare? How do you know if they are telling you the truth? Do you interview them all with the same approach?” So I picked very different types of murders which help explain the process. Why did you select the four cases in The Killer Across the Table?Įveryone is interested in the interview process.
So I guess the new DA or chief of police down there is going to be taking a look. I said it back then and I’ll say it today: He just didn’t do it. He did not kill all 28 or 29 or those victims. The police cleared the books of all 28 or 29 cases, and they’re saying all the cases were perpetrated by Wayne Williams. But a case like the Atlanta child murders, where there were so many bodies, I just went on down.
Usually they just submit the cases to us, so they come to Quantico. He just wants to be credible in the classroom, so why not go in the prisons and conduct these interviews? I thought we could actually provide something positive to the investigation. No, when I started it was really for survival, just like Holden Ford. When you first started profiling, did you ever think it would become so important, and have this cultural fascination around it? Ahead of the book’s release on May 7, John Douglas sat down with Vulture to discuss his FBI career, why so few TV shows get serial killers right, and how he’s managed years of such horrific, emotionally difficult work. The killers in these cases are not as well-known as some of the others Douglas has interviewed (among them Charles Manson, Ed Kemper, and David Berkowitz), but they each provide an insightful example of what can be learned from profiling.
In their new book, The Killer Across the Table, Douglas and Olshaker offer a behind-the-scenes look at what it’s like to conduct a profile of a killer. (Groff’s character, Holden Ford, is based on Douglas.) By talking to almost every major convicted serial killer of the past 30 years, Douglas and his team have not only played a vital role in helping the FBI and other law-enforcement communities understand violent crimes, they also, perhaps inevitably, have had an influence on pop culture’s true-crime boom. His 1995 book Mindhunter: Inside the FBI’s Elite Serial Crime Unit, co-written with Mark Olshaker, more recently led to a standout Netflix drama starring Jonathan Groff. Over the past three decades, his groundbreaking work as a criminal profiler has inspired characters in The Silence of the Lambs, Hannibal, and Criminal Minds, largely based around his interviews with imprisoned violent offenders.
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